Austrian Audio MiCreator Studio, USB-C Microphone and Audio Interface, Polar pattern: Cardioid, Frequency range: 20 Hz - 20 kHz, Sensitivity: -35 dBFS/Pa (low gain)/-15 dBFS/Pa (high gain), Two gain settings and a rotary knob jog wheel for easy volume control, Hardware gain switch: 0 dB (low)/20 dB (high), Max. sound pressure level: 130 dB SPL, 48 kHz/24-Bit, Headphone output power: 45 mW (32 Ohm load),
Neumann TLM 103 Studio Bundle@+*Bundle offer comprising*, Neumann TLM 103 Studio Set, Large Diaphragm Condenser Microphone, Capsule design modelled on the legendary U 87 Ai, Acoustic mode of operation: Pressure gradient receiver, Polar pattern: Cardioid, Frequency response: 20 - 20,000 Hz, Max. SPL (sound pressure level) for k < 0.5% 3: 138 dB, Equivalent noise level , A-weighted (rel. 94 dB SPL): 87 dB, Requires +48 V phantom power, Dimensions (diameter x length): 60 x 132 mm, Weight: approx. 450 g, Colour: Nickel, Incl. EA1 elastic mount, Matching case: art. #494135# (not included), Sommer Cable Galileo 238 5,0, Professional Microphone Cable, Profile 2 x 0.38 mm, Double copper spiral shielding, XLR (male) to XLR (female), Neutrik NC3MX-SOM connectors, 5 metres, Black
the t.bone SC 300, Studio Condenser Microphone, Characteristic: cardioid, Frequency response: 40 -18,000 Hz, Sensitivity: -35 dBV/pa (22.4 mv/pa), Impedance: 200 Ohm, Max. SPL: 122 dB (THD less than 1% 1000 Hz), Phantom power: 15-52 V, Length x max. diameter: 170 x 52 mm, Weight: 320 g, Incl. bracket
Studio Projects B1 Bundle@+*Bundle offer comprising*, Studio Projects B1, Large diaphragm condenser studio microphone, 1” capsule with cardioid characteristic, Transformerless circuit, +48 V phantom power required, Frequency range: 20-20000 Hz, Sensitivity: -34 dB (0dB=1V/Pa), Output impedance:
Neumann U87 Ai Studio Set ni, Condenser Studio Microphone, Pressure gradient transducer, Polar pattern: Omnidirectional, cardioid, eight, Switchable 10 dB attenuation, Nominal impedance 200 Ohm, Frequency response 20 - 20,000 Hz, Max. SPL (sound pressure level) for k < 0.5% with pre-attenuation: 127 dBk < 0.5%: 117 dB (cardioid), Max. SPL (sound pressure level) for k < 0.5% with pre-attenuation: 127 dB, 48 V phantom power required, Dimensions (diameter x length): 56 x 200 mm, Weight: 500 g, Colour: Nickel, Incl. EA87 elastic mount and wooden case
Neumann U89 I, Large diaphragm studio microphone, Universally applicable studio microphone, Pressure gradient receivers can be used for vocals, speakers, overhead and wind instruments, Switchable polar pattern: omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight, Switchable 10 dB attenuation, Two-stage bass roll-off, Frequency range: 20 - 20,000 Hz, Nominal impedance: 150 ohms, Nominal load impedance: 1000 ohms, Max. sound pressure level for K
Audio-Technica AT 2010, Condenser Vocal Microphone, For live applications with sound characteristics of AT 2020 large diaphragm studio microphone, Polar pattern: Cardioid, Frequency range: 40 - 20,000 Hz, Impedance: 100 Ohm, SPL max. 136 dB, 48V phantom power, Black metal housing, Weight: 233 g, Dimensions: 179 x 51 mm, Colour: Black, Incl. AT8470 anti-shock microphone mount and bag
Neumann U87 AI Bundle@+*Bundle offer comprising*, Neumann U87 Ai, Studio Condenser Microphone@+The U 87 is probably the best known and most common Neumann studio microphone.@+@+@+The U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low-frequency response can be reduced to compensate for proximity effect.@+@+, Pressure gradient receiver, Polar pattern: omnidirectional, cardioid, figure-of-eight, Switchable 10 dB attenuation, Nominal impedance 200 Ohm, Frequency response 20 - 20,000 Hz, Sound pressure level for k < 0.5%: 117 dB (cardioid), Sound pressure level for k < 0.5% with pre-attenuation: 127 dB, 48 V phantom powering required, Dimensions (diameter x length): 56 x 200 mm, Weight: 500 g, Colour: Nickel, Suitable elastic suspension: art. #125520# (not included), Suitable tripod mount: art. #218556# (not included), Rycote USM Universal Studio Mount, Universal Microphone Vibrating Bracket (Shock Mount), For all large diaphragm microphones of 18 - 55 mm diameter and maximum weight of 500 g horizontal (750 g vertical), Up to 12 dB sound isolation, Weight: 154 g, Overall dimensions: 120 mm diameter x 170 mm length x 70 mm depth, Colour: Black, 25 years manufacturer's guarantee
Royer Labs R-10 MP, Studio Ribbon Microphone Set, 2 Passive studio ribbon microphones, Ideal for recording electric guitars, brass instruments and other applications with direct recording, Directional characteristic: Figure of eight, Extremely low background noise, Ribbon element insensitive to heat and moisture, Frequency range: 30 to 15,000 Hz (+/- 3 dB), Output impedance: 100 Ohm, Max. SPL: 135 dB at 50 Hz, Weight (1 microphone): 368 g, Dimensions (1 microphone - L x Ø): 149 x 35 mm, Microphone holder, microphone pocket, case and swiveling holder (black) included
Shure KSM42 SG, Large Diaphragm Studio Microphone, Especially for voice and vocal recordings, 24 K gold double membrane with cardioid characteristic, Broad sweet spot and constant cardioid characteristic over the entire frequency response, Frequency range: 60 - 20,000 Hz, Max. SPL: 139 dB, Extremely low noise due to Prethos Advanced Preamplifier Technology, Natural bass reduction, Built-in, three-layer pop screen reduces breath and wind noise, Integrated vibration absorber reduces impact sound, Incl. microphone spider with integrated pop protection, plastic case and case
the t.bone SCT 2000 + Popkiller@+*Bundle offer comprising*, the t.bone SCT 2000, Studio Tube Large Diaphragm Microphone@+The flagship of the t.bone large diaphragm microphone range. It features a 9-point polar pattern selector switch located on the external power supply, allowing the user to choose between standard omnidirectional, cardioid and figure-8 (bidirectional) characteristics with the respective intermediate stages. The resulting versatility allows for use in almost any recording application.@+@+With its 24K gold-sputtered diaphragm (1.07
the t.bone SC 420 USB Silver Desktop-Set, USB Large Diaphragm Studio Microphone Set, With USB port for direct operation on the computer, No additional drivers needed, Polar Pattern: Cardioid, Frequency range: 30 - 18,000 kHz, Sensitivity: 25 mV/Pa, Maximum SPL: 140dB (at 1kHz = 1% THD), 16 Bit / 48 KHz, Headphone output with direct monitoring, Mute button, Includes PVC case, shock mount, USB cable, foam windscreen, Popkiller and tabletop tripod@+*Additionally included software (download):*, Cubase LE with 23 VST audio effects, HALion Sonic SE 3, Groove Agent SE 5, Over 5 GB of sounds and loops
Austrian Audio OC18 Studio Set, Condenser Large Diaphragm Microphone, Polar pattern: Cardioid, Handmade CKR6 ceramic capsule based on the CK12 capsule, Frequency range: 20 - 20,000 Hz, Sensitivity: 13 mV / Pa, Output impedance: 275 ohms (balanced), Input impedance: 1 kOhm, SPL (max): 148 dB / 158 dB (with pad), Noise: 84 dB, Requires 48 V phantom power, Low Cut Filter: 40, 80 and 160 Hz, Pad: - 10 and - 20 dB, Includes elastic suspension, microphone clamp, windscreen and case, Dimensions: 157 x 63 x 35 mm
Royer Labs R-10 Hot Rod MP, Studio Ribbon Microphone Set, 2 Passive studio ribbon microphones, Ideal for miking electric guitars, brass instruments and other direct pickup applications, Limited edition for the 25th anniversary, Special transformer for +5 dB more output power than the R-10, Polar pattern: Figure Eight, Extremely low noise floor, Ribbon element insensitive to heat and humidity, Frequency response: 30 Hz to 15,000 Hz (+/- 3 dB), Output impedance: 100 Ohm, Max. sound pressure: 135 dB at 50 Hz, 160 dB at 1 kHz, Dimensions (L x Ø): 149 x 35 mm, Weight: 368 g, Includes microphone holder, microphone bag, case and swivel mount (black)
Shure KSM 137 SL, Small Diaphragm Condenser Microphones, Optimized for acoustic instruments, Neutral and precise sound for stage and studio applications, Ideal for overhead, hi-hat, piano, choir and orchestra and acoustic stringed instruments, Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response, gold-plated internal and external contacts, Polar pattern: cardioid, Frequency response: 20 Hz - 20 kHz, Sensitivity: -37 dBV / Pa, Switchable pad: 0 dB, -15 dB, -25 dB, SPL: 164 dB (with switched -25dB pad), Three-stage switchable low cut filter, 14 db (A) very low self noise for a small diaphragm condenser microphone, Robust housing, Weight: 100 g, Includes A137C plastic case, A26M stereo bar, 2x A100WS windshield and 2x A57F Microphone Mounts, Also available as pair: Art.#171884#@+@+*Optional accessories:*@+@+, A53M Shock-absorbing microphone holder Art:#138152#, A27M Swivel Microphone Adapter for two microphones Art.#210368#
Shure KSM 137 Stereoset, Stereo Pair Small Diaphragm Condenser Microphones, Optimized for acoustic instruments, Neutral and precise sound for stage and studio applications, Ideal for overhead, hi-hat, piano, choir and orchestra and acoustic stringed instruments, Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response, Gold-plated internal and external contacts, Polar pattern: cardioid, Frequency response: 20 Hz - 20 kHz, Sensitivity: -37 dBV / Pa, Switchable pad: 0 dB, -15 dB, -25 dB, SPL: 164 dB (with switched -25dB pad), Three-stage switchable low cut filter, 14 db (A) very low self noise for a small diaphragm condenser microphone, Robust housing, Weight: 100 g, Includes A137C plastic case, A26M stereo bar, 2x A100WS windshield and 2x A57F Microphone Mounts, Also available as a single microphone: Art.#176015#@+@+*Optional accessories:*@+@+, A53M Shock-absorbing microphone holder Art:#138152#, A27M Swivel Microphone Adapter for two microphones Art.#210368#
Peluso 22 251, Studio tube large-diaphragm micro, Transmission range: 20 - 24000 hz, Directional characteristics: Omnidirectional, cardioid and figure eight, Nominal impedance: 50/200 ohms, Boundary sound pressure level: 144 dB, Dimensions: 52 x 225 mm, Weight: 620 g, Including spider, wooden box and carrying case
Manley Reference Cardioid Mic black, Studio Tube Condenser Microphone, Cardioid, All-Tube Triode Design 12AX7, -10 dB Pad switchable, Frequency range: 10 Hz - 30 kHz, Sensitivity: 17 mV/Pa, Noise typically -120 dB ON, Peak SPL: 150dB, Output Impedance: 200 O, Weight: 1.02 Kg (microphone), Includes supply module
Presonus Revelator Dynamic, USB-C Microphone with Effects, Bus-powered USB 2.0 microphone with USB C connector for podcasts, streaming, home recording, etc., Polar pattern: Cardioid, Frequency range: 20 to 20000 Hz, Headphone output with volume control and latency-free monitoring, 96 kHz / 24-bit operation, 6-in/6-out audio interface, Virtual 4-in/4-out streams for application-to-application recording and playback with loopback options, Integrated StudioLive voice effects with 16 user-friendly presets, Two stereo loopback channels for recording and streaming Skype or Zoom calls, gaming audio and more, UC Surface software mixer to create channel strip presets with EQ, compressor, gate and limiter, plus reverb from StudioLive Fat Channel, Compatible with Win 10 (64bit), macOS 10.13 or later, iOS and iPadOS (may require Camera Connection Kit) and Chromebook, Incl- PTS-1 table stand, Studio One Artist and Studio Magic software suite
DPA 4090 High Sens, Omnidirectional Instrument Microphone, P48, Prepolarized 5.4 mm membrane, Ideal for miking instruments in the studio or live, Frequency range: 20 - 20,000 Hz, SPL max.134 dB, Sensitivity: 20 mV/Pa, -34 dB re 1 V/Pa, Equivalent noise level A-weighted: Type 23 dB(A) re, 20 µPa (max. 26 dB(A), Length: 120 mm
Behringer C3, Studio Condenser Microphone, 16 mm diaphragm, Switchable polar pattern: omnidirectional, cardioid, figure-of-eight, Frequency range: 40 - 18,000 Hz, Max. SPL: 142 dB (< 0.5% THD @ 1 kHz), Dynamic range: 119 dB, Low-cut filter, -10 dB level cut, Dimensions (diameter x length): 54 x 180 mm, Weight: approx. 0.42 kg, Incl. mounting bracket@+@+*Note:* requires +48 V phantom power
Golden Age Audio Premier GA-47 MKII, Studio Large Diaphragm Condenser Microphone, Handmade in U-47 style, Rogers circuit board with a point-to-point wiring, Polar pattern: cardioid, omnidirectional, Frequency range: 20 - 20,000 Hz, Max SPL: 140 dB, Equivalent noise level: 10 dB, Impedance: 200 Ohm, Integrated NOS Telefunken tube of the 800 series, Incl. power supply with connection cable, shock mount and transport case
Austrian Audio MiCreator System Set, USB-C Microphone and Audio Interface, System set consisting of MiCreator Studio+MiCreator Satellite and accessories, Plug-and-play USB-C microphone and audio interface, Condenser capsule for first-class audio quality, Polar pattern: Cardioid, Frequency range: 20 Hz - 20 kHz, Sensitivity: -35 dBFS/Pa (low gain)/-15 dBFS/Pa (high gain), Max. sound pressure level: 130 dB, Two gain settings and a rotary knob jog wheel for easy volume control, Input for connecting a second device (MiCreator Satellite, Y-LAV microphone, instrument), 2 Stereo headphone outputs, Real-time monitoring of the microphone and input, Robust metal housing with interchangeable covers for different colour combinations, Digital resolution: maximum 48 kHz/24-bit@+*Delivery contents:*, 1 MiCreator Studio, MiCreator Satellite, 1 MiCreator MiniBar stereo bar, 1 USB-C cable (1 meter), 1 MCC instrument cable (1.95 meter, 6.3 mm jack mono to 3.5 mm jack mono), 1 MCC2 MiCreator link cable, 1 System case, 2 Reduction threads, 1 Set of additional front panels (red)
Shure DMK57-52 4, Beginner Drum Microphone SetThe DMK57-52 4 drum kit provides every drummer a basic set of microphones and brackets for their live and studio work. The set includes three SM57 and a Beta 52A, three A56D mounting systems as well as a light and robust carrying case.@+@+, 3x Shure SM57 (cardioid), 1x Bassdrum Microphone Shure Beta 52A (Super cardioid), 3x Rim Mount Shure A56D, Robust carrying case
Royer Labs R-10, Passive Studio Ribbon Microphone, Ideal for recording electric guitars, brass instruments and for other applications with direct recording, Directional characteristic: Figure of eight, Extremely low background noise, Ribbon element insensitive to heat and moisture, Frequency range: 30 to 15,000 Hz (+/- 3 dB), Output impedance: 100 Ohm, Max. sound pressure of 135 dB at 50 Hz, Weight: 368 g, Dimensions (L x Ø): 149 x 35 mm, Microphone holder, microphone pocket, case and swiveling holder (black) included
Shure SM57LC Bundle III@+*Bundle offer comprising*, Shure SM57 LC, Dynamic Instrument Microphone@+Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.@+@+, Cardioid, Contoured frequency response for clear instrumental and sonorous vocal recordings, Decrease of percussion, drums and instruments amplifiers in professional quality, Cardioid for isolated signal source and reduces distracting background noise, Pneumatic shock minimizes handling noise, Holds even heavy use in stage use was, Frequency response: 40-15000 Hz, Output Impedance: 310 Ohm, Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV), Dimensions (L x Ø): 157 x 32 mm, Weight: 284 g, Incl. clamp, 3/8
Shure SM57LC Bundle II@+*Bundle offer comprising*, Shure SM57 LC, Dynamic Instrument Microphone@+Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.@+@+, Cardioid, Contoured frequency response for clear instrumental and sonorous vocal recordings, Decrease of percussion, drums and instruments amplifiers in professional quality, Cardioid for isolated signal source and reduces distracting background noise, Pneumatic shock minimizes handling noise, Holds even heavy use in stage use was, Frequency response: 40-15000 Hz, Output Impedance: 310 Ohm, Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV), Dimensions (L x Ø): 157 x 32 mm, Weight: 284 g, Incl. clamp, 3/8
Schoeps V4 U USM Set B, Studio small diaphragm vocal microphone set in classic design, Warm and clear sound, Optimal 0 ° frequency response with slight elevation, Capsule head with adjustable tilt angle, Polar pattern: Cardioid, Frequency range: 50 - 22,000 Hz, 16 mV / Pa, SPL: max: 144 dB SPL max, Output voltage: 4.8V, Output impedance: 97 ohms, Length: 194 mm, Diameter of the cylinder: 34 mm, Depth of the capsule: 45 mm, Weight: 302 g, Colour: Blue, Delivery in padded wooden case, Incl. elastic suspension USM-V4
Royer Labs R-10 Hot Rod, Passive Studio Ribbon Microphone, Ideal for miking electric guitars, brass instruments and other direct pickup applications, Limited edition for the 25th anniversary, Special transformer for +5 dB more output than the R-10, Polar pattern: eight, Extremely low noise floor, Ribbon element insensitive to heat and humidity, Frequency response: 30 Hz to 15,000 Hz (+/- 3 dB), Output impedance: 100 Ohm, Max. sound pressure: 135 dB at 50 Hz, 160 dB at 1 kHz, Dimensions (L x Ø): 149 x 35 mm, Weight: 368 g, Incl. microphone holder, microphone bag, case and swivel mount (black)
Royer Labs R-122 MkII Matched Pair, Active Ribbon Microphone, For studio and live use, Matched pair, Electrodynamic pressure gradient with active electronics, High output level, Frequency range: 30 - 15,000 Hz (+/- 3dB), Polar pattern: Eight, Equivalent noise level: < 18 dB, Sensitivity: -36 dB (Ref. 1 V / Pa +/- 2dB), Sound pressure level: 135 dB at 20 Hz, 15 dB pad as well as 100 Hz high-pass filter switchable, Requires 48 V phantom power, Gold-plated XLR contacts, Dimensions (L x W): 206 x 25 mm, Weight: 309 g, Incl. holder and wooden case
Shure SM 86, Vocal Condenser Microphone@+The Shure SM86 is a condenser microphone with cardioid polar pattern for professional live use. The robust condenser microphone can withstand every stressing situation on stage, and still provides studio quality. The matched frequency response of the SM86 provides a precise reproduction of the voice, and the cardioid polar pattern, pointing directly to the signal source, ensures a almost noise-free signal. The built-in three-point shock absorber reduces handling noise, while the two-layer windscreen minimizes wind and pop noise. The SM86 is an excellent choice for both stage and in-ear monitoring.@+, Optimized for singing, Studio quality condenser capsule, Matched frequency response for precise reproduction of vocals., Extremely robust design withstands extreme loads., Cardioid polar pattern reduces unwanted background noise., Excellent for use with stage and in-ear monitoring., Built-in three-point shock absorber reduces handling noise., Two-layer windscreen reduces wind and pop noise., Frequency range: 50 Hz - 18 kHz, Output impedance: 150 O, Open circuit sensitivity: -50 dBV/ Pa (3.15 mV), Max. SPL (at 1 kHz, 1 kO load, 0.1% THD): 147 dB, Inherent self-noise (equivalent noise level): 23 dB(A), Power supply: 11 to 52 V, Power consumption: 5.2 mA, Dimensions (L x Ø): 183 x 49 mm, Weight: 278 g
Shure Beta 91A Bundle@+*Bundle offer comprising*, Shure Beta 91A, Condenser boundary microphone, Combination of Beta 91 and SM 91, Switchable frequency range for bass drums or piano/ voice applications, Polar pattern: half cardioid, Frequency range: 20 - 20,000 Hz, Impedance: 146 Ω, 11-52 V Phantom power, SPL: 155 dB SPL max (@ 2500 Ohm), Sensitivity: -48.5 dBV/Pa, Output: XLR-male, Weight: 470 g, Sommer Cable Stage Blue Line Vocal 5m, Exclusive microphone cable in the reference class, For studio and professional live applications, Hicon XLR Female - XLR Male connector with silver-plated contacts, Cross-section 2 x 0.22 mm², Copper spiral shielding with 0.10 mm single strands, With Hicon - Thomann XLR connector, Colour: Blue (RAL 5015), Length: 5 metres
Antelope Edge Note, Small-Diaphragm Modelling Condenser Microphone, With 13 real-time emulations of classic studio microphones, Compatible with any audio interface or microphone preamplifier, Polar pattern: Cardioid, Frequency response: 20 - 20,000 Hz, Sound pressure level: 146 dB, Sensitivity: -42dB 8mV/Pa (+/-3dB), Output impedance: 65 Ohm, Pad circuit: -10 dB and -20 dB, High-pass filter: 75 Hz and 115 Hz, 3-Pin male XLR connector, Dimensions (L x D): 6 x 2 cm, Weight: approx. 100 g, Colour: Matte Black, Incl. microphone holder@+@+*Note:* requires +48 V phantom power@+@+*Included microphone emulations:*@+@+, Aalborg 4006, Berlin 184, Berlin K53, Berlin K54, Berlin K86, Freiburg 6, Hamburg 211, Hamburg 40, Hamburg 441, Illinois 57, Illinois 7B, Perth 55, Vienna D112
Presonus MicroStation BT, 2.1 Monitor Controller with Bluetooth Connectivity, Offers the easy way to transmit an audio signal via Bluetooth to a preferred pair of studio or reference monitors, Compact desktop design with intuitive controls and headphone support, Qith the option of adding a subwoofer to the signal chain, High-resolution, large volume control for level control, 1 TRS In L/R input: 6.3 mm jack, balanced, 1 Aux input: 3.5 mm jack, balanced, 1 Main Out L/R: 6.3 mm jack, balanced, 1 Aux Out: 3.5 mm jack, balanced, 1 Sub Out: 6.3 mm jack, balanced, 1 Sub Out: RCA, unbalanced, Bluetooth button to switch between Bluetooth and analogue sources, Pairing button for quick pairing of a Bluetooth-enabled device, Sub bypass function, Mute function, Dimensions (L x W x H): 120 x 120 x 63.5 mm, Weight: 0.34 kg
Antelope Edge Solo, Large Diaphragm Condenser Microphone, Includes Edge Real-Time Modelling software for classic studio microphone emulation, Can be used with any microphone pre-amplifier and audio interface of your choice - for optimal results in terms of your sound, we recommend the Antelope Audio Interface with FPGA Real-Time Modeling, Polar pattern: Super-cardioid, Low-vibration housing, Low-noise and low-distortion circuit design, Requires +48V phantom power, Frequency response: 20 - 20000 Hz, Sensitivity: -35dB / 18mV/Pa (-1 to +3dB), THD+N: 116 dB, Inherent-noise: 19dB(A), Signal-to-noise ratio: 75 dB (A), Output impedance: 50 Ohm @ 1kHz, XLR connection, Dimensions: 134 x 52 mm, Weight: 320 g, Incl. microphone case and tripod holder@+*Note: * The software requires iLok USB Copy Protection Connector (article no.@+#401447# - not included) when operating without the Antelope Audio Interface.@+*Included microphone emulations:*, Berlin 47 FT, Berlin 49T, Berlin 57, Berlin 87, Berlin 67, Berlin M103, Vienna 12, Vienna 414, Tokyo 800T, Berlin V563 cardioid capsule, Illinois 57, Illinois 7B, Minnesota 20, Vienna 112, Berlin K86, Berlin 47 TU, Berlin M251, Hamburg 441, The scope of the emulations is constantly being expanded@+*System requirements:*, Min. Core 2 Duo CPU, Min. 4 GB RAM required, From OS X 11, Win10
Shure Beta 52A, Dynamic Microphone@+The Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments. @+@+It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise. @+@+The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage., Super-cardioid, Optimized frequency response especially for bass drum kick and low-frequency instrument pickup, High feedback with minimal background noise, Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum, Basket made of hardened steel protects against wear and damage, Air-sprung vibration absorber protects against impact sound and vibrations, Neodymium magnet for high output levels, Low sensitivity against different connection impedances, Transmission range: 20 - 10,000 Hz, Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated), Output Impedance: 45 Ohm, Noise Sensitivity: -64 dBV / Pa (0.63 mV), Weight: 605 g, Tripod mount, Including bag
Shure Beta 87a Elegance Bundle@+*Bundle offer comprising*, Shure Beta 87A, Condenser vocal microphone@+ Because of its high precision and attention to detail as well as its natural vocal reproduction, the Beta 87 was already the first choice of artists and sound engineers around the world. This classic is now available in a new design under the name Beta 87 A. At the request of many users, Shure has thickened the shaft of this microphone for a more comfortable grip.@+@+The Shure Beta 87 A is a high-quality, permanently polarized condenser microphone with supercardioid characteristics for vocal pickup, which is characterized by an exceptionally linear transmission range and high sound pressure resistance. It is used in professional sound reinforcement, in radio and in studio recordings and combines excellent sound quality with the robustness required for tour and outdoor productions.@+@+The Beta 87 A has a bass roll-off that compensates for the proximity effect and prevents the dreaded boom during close-ups. The typical Shore presence raises the upper mid-range, while the supercardioid pattern ensures maximum isolation from other sound sources such as vocals or instruments and only allows minimal off-axis sound colouration.@+@+One of the toughest, most reliable, and highest quality condenser vocal microphones in the world@+@+, Supercardioid polar pattern, Linear transmission range for precise, detailed and true to original song and speech transmission., Extremely precise supercardioid characteristic over the entire frequency range for the greatest possible feedback resistance with maximum amplification., Built-in, three-layer wind protection minimizes pop and breathing noises., Operation with phantom power, Freuqnecy range: 50 Hz - 20 kHz, Output impedance: 100 ohms, Idle sensitivity: -54 dBV / Pa (2 mV), Maximum sound pressure level (at 1 kHz; 1 k + load; 0.25% distortion factor): 140.5 dB SPL, Inherent self-noise (equivalent sound pressure): 23.5 dB (A), Power supply: 11 to 52 V., Current consumption: max. 1.2 mA, Dimensions (L x Ø): 192 x 51 mm, Weight: 207 g, Includes microphone clip and storage bag, K&M 26200 Elegance, One-hand microphone stand, Very sturdy one-hand microphone stand with light round steel base Ø 275 mm, Easily adjustable by one-hand mechanism,
